DAUGHTERS OF WAR
Space beats the ruddy freedom of their limbs,
Their naked dances with man’s spirit naked
By the root side of the tree of life
(The under side of things
And shut from earth’s profoundest eyes).
I saw in prophetic gleams
These mighty daughters in their dances
Beckon each soul aghast from its crimson corpse
To mix in their glittering dances:
I heard the mighty daughters’ giant sighs
In sleepless passion for the sons of valour
And envy of the days of flesh,
Barring their love with mortal boughs across—
The mortal boughs, the mortal tree of life.
The old bark burnt with iron wars
They blow to a live flame
To char the young green days
And reach the occult soul; they have no softer lure,
No softer lure than the savage ways of death.
We were satisfied of our lords the moon and the sun
To take our wage of sleep and bread and warmth—
These maidens came—these strong everliving Amazons,
And in an easy might their wrists
Of night’s sway and noon’s sway the sceptres brake,
Clouding the wild, the soft lustres of our eyes.
Clouding the wild lustres, the clinging tender lights;
Driving the darkness into the flame of day
With the Amazonian wind of them
Over our corroding faces
That must be broken—broken for evermore,
So the soul can leap out
Into their huge embraces.
Though there are human faces
Best sculptures of Deity,
And sinews lusted after
By the Archangels tall,
Even these must leap to the love-heat of these maidens
From the flame of terrene days,
Leaving grey ashes to the wind—to the wind.
One (whose great lifted face,
Where wisdom’s strength and beauty’s strength
And the thewed strength of large beasts
Moved and merged, gloomed and lit)
Was speaking, surely, as the earth-men’s earth fell away;
Whose new hearing drank the sound
Where pictures, lutes, and mountains mixed
With the loosed spirit of a thought,
Essenced to language thus—
“My sisters force their males
From the doomed earth, from the doomed glee
And hankering of hearts.
Frail hands gleam up through the human quagmire, and lips of ash
Seem to wail, as in sad faded paintings
Far-sunken and strange.
My sisters have their males
Clean of the dust of old days
That clings about those white hands
And yearns in those voices sad:
But these shall not see them,
Or think of them in any days or years;
They are my sisters’ lovers in other days and years.”
ON RECEIVING THE FIRST NEWS OF THE WAR
Snow is a strange white word;
No ice or frost
Has asked of bud or bird
For Winter’s cost.
Yet ice and frost and snow
From earth to sky
This Summer land doth know;
No man knows why.
In all men’s hearts it is:
Some spirit old
Hath turned with malign kiss
Our lives to mould.
Red fangs have torn His face,
God’s blood is shed:
He mourns from His lone place
His children dead.
O ancient crimson curse!
Corrode, consume;
Give back this universe
Its pristine bloom.
Cape Town, 1914.
SPRING, 1916
Slow, rigid, is this masquerade
That passes as through a difficult air:
Heavily—heavily passes.
What has she fed on? Who her table laid
Through the three seasons? What forbidden fare
Ruined her as a mortal lass is?
I played with her two years ago,
Who might be now her own sister in stone;
So altered from her May mien,
When round the pink a necklace of warm snow
Laughed to her throat where my mouth’s touch had gone.
How is this, ruined Queen?
Who lured her vivid beauty so
To be that strained chill thing that moves
So ghastly midst her young brood
Of pregnant shoots that she for men did grow?
Where are the strong men who made these their loves?
Spring! God pity your mood!
THE TROOP SHIP
Grotesque and queerly huddled
Contortionists to twist
The sleepy soul to a sleep,
We lie all sorts of ways
And cannot sleep.
The wet wind is so cold,
And the lurching men so careless,
That, should you drop to a doze,
Winds’ fumble or men’s feet
Are on your face.
MARCHING
(AS SEEN FROM THE LEFT FILE).
My eyes catch ruddy necks
Sturdily pressed back—
All a red-brick moving glint.
Like flaming pendulums, hands
Swing across the khaki—
Mustard-coloured khaki—
To the automatic feet.
We husband the ancient glory
In these bared necks and hands.
Not broke is the forge of Mars;
But a subtler brain beats iron
To shoe the hoofs of death
(Who paws dynamic air now).
Blind fingers loose an iron cloud
To rain immortal darkness
On strong eyes.
BREAK OF DAY IN THE TRENCHES
The darkness crumbles away—
It is the same old druid Time as ever.
Only a live thing leaps my hand—
A queer sardonic rat—
As I pull the parapet’s poppy
To stick behind my ear.
Droll rat, they would shoot you if they knew
Your cosmopolitan sympathies
(And God knows what antipathies).
Now you have touched this English hand
You will do the same to a German—
Soon, no doubt, if it be your pleasure
To cross the sleeping green between.
It seems you inwardly grin as you pass
Strong eyes, fine limbs, haughty athletes
Less chanced than you for life,
Bonds to the whims of murder,
Sprawled in the bowels of the earth,
The torn fields of France.
What do you see in our eyes
At the shrieking iron and flame
Hurled through still heavens?
What quaver—what heart aghast?
Poppies whose roots are in man’s veins
Drop, and are ever dropping;
But mine in my ear is safe,
Just a little white with the dust.
KILLED IN ACTION
Your “Youth” has fallen from its shelf,
And you have fallen, you yourself.
They knocked a soldier on the head,
I mourn the poet who fell dead.
And yet I think it was by chance,
By oversight you died in France.
You were so poor an outward man,
So small against your spirit’s span,
That Nature, being tired awhile,
Saw but your outward human pile;
And Nature, who would never let
A sun with light still in it set,
Before you even reached your sky,
In inadvertence let you die.
RETURNING, WE HEAR THE LARKS
Sombre the night is:
And, though we have our lives, we know
What sinister threat lurks there.
Dragging these anguished limbs, we only know
This poison-blasted track opens on our camp—
On a little safe sleep.
But hark! Joy—joy—strange joy.
Lo! Heights of night ringing with unseen larks:
Music showering on our upturned listening faces.
Death could drop from the dark
As easily as song—
But song only dropped,
Like a blind man’s dreams on the sand
By dangerous tides;
Like a girl’s dark hair, for she dreams no ruin lies there,
Or her kisses where a serpent hides.
THE DESTRUCTION OF JERUSALEM BY THE BABYLONIAN HORDES
They left their Babylon bare
Of all its tall men,
Of all its proud horses;
They made for Lebanon.
And shadowy sowers went
Before their spears to sow
The fruit whose taste is ash,
For Judah’s soul to know.
They who bowed to the Bull god,
Whose wings roofed Babylon,
In endless hosts darkened
The bright-heavened Lebanon.
They washed their grime in pools
Where laughing girls forgot
The wiles they used for Solomon.
Sweet laughter, remembered not!
Sweet laughter charred in the flame
That clutched the cloud and earth,
While Solomon’s towers crashed between
To a gird of Babylon’s mirth.
THE BURNING OF THE TEMPLE
Fierce wrath of Solomon,
Where sleepest thou? O see,
The fabric which thou won
Earth and ocean to give thee—
O look at the red skies.
Or hath the sun plunged down?
What is this molten gold—
These thundering fires blown
Through heaven, where the smoke rolled?
Again the great king dies.
His dreams go out in smoke.
His days he let not pass
And sculptured here are broke,
Are charred as the burnt grass,
Gone as his mouth’s last sighs.
HOME-THOUGHTS FROM FRANCE
Wan, fragile faces of joy,
Pitiful mouths that strive
To light with smiles the place
We dream we walk alive,
To you I stretch my hands,
Hands shut in pitiless trance
In a land of ruin and woe,
The desolate land of France.
Dear faces startled and shaken,
Out of wild dust and sounds
You yearn to me, lure and sadden
My heart with futile bounds.
THE IMMORTALS
I killed them, but they would not die.
Yea, all the day and all the night
For them I could not rest nor sleep,
Nor guard from them nor hide in flight!
Then in my agony I turned
And made my hands red in their gore.
In vain—for faster than I slew
They rose more cruel than before.
I killed and killed with slaughter mad;
I killed till all my strength was gone;
And still they rose to torture me,
For Devils only die for fun.
I used to think the Devil hid
In women’s smiles and wine’s carouse;
I called him Satan, Balzebub;
But now I call him dirty louse.
LOUSE HUNTING
Nudes, stark and glistening,
Yelling in lurid glee. Grinning faces
And raging limbs
Whirl over the floor one fire;
For a shirt verminously busy
Yon soldier tore from his throat
With oaths
Godhead might shrink at, but not the lice,
And soon the shirt was aflare
Over the candle he’d lit while we lay.
Then we all sprang up and stript
To hunt the verminous brood.
Soon like a demons’ pantomime
This plunge was raging.
See the silhouettes agape,
See the gibbering shadows
Mixed with the baffled arms on the wall.
See Gargantuan hooked fingers
Pluck in supreme flesh
To smutch supreme littleness.
See the merry limbs in that Highland fling
Because some wizard vermin willed
To charm from the quiet this revel
When our ears were half lulled
By the dark music
Blown from Sleep’s trumpet.