Sitting By The Fire
Ah! the solace in the sitting,
Sitting by the fire,
When the wind without is calling
And the fourfold clouds are falling,
With the rain-racks intermitting,
Over slope and spire.
Ah! the solace in the sitting,
Sitting by the fire.
Then, and then, a man may ponder,
Sitting by the fire,
Over fair far days, and faces
Shining in sweet-coloured places
Ere the thunder broke asunder
Life and dear Desire.
Thus, and thus, a man may ponder,
Sitting by the fire.
Waifs of song pursue, perplex me,
Sitting by the fire:
Just a note, and lo, the change then!
Like a child, I turn and range then,
Till a shadow starts to vex me —
Passion’s wasted pyre.
So do songs pursue, perplex me,
Sitting by the fire.
Night by night — the old, old story —
Sitting by the fire,
Night by night, the dead leaves grieve me:
Ah! the touch when youth shall leave me,
Like my fathers, shrunken, hoary,
With the years that tire.
Night by night — that old, old story,
Sitting by the fire.
Sing for slumber, sister Clara,
Sitting by the fire.
I could hide my head and sleep now,
Far from those who laugh and weep now,
Like a trammelled, faint wayfarer,
’Neath yon mountain-spire.
Sing for slumber, sister Clara,
Sitting by the fire.
Cleone
Sing her a song of the sun:
Fill it with tones of the stream, —
Echoes of waters that run
Glad with the gladdening gleam.
Let it be sweeter than rain,
Lit by a tropical moon:
Light in the words of the strain,
Love in the ways of the tune.
Softer than seasons of sleep:
Dearer than life at its best!
Give her a ballad to keep,
Wove of the passionate West:
Give it and say of the hours —
“Haunted and hallowed of thee,
Flower-like woman of flowers,
What shall the end of them be?”
You that have loved her so much,
Loved her asleep and awake,
Trembled because of her touch,
What have you said for her sake?
Far in the falls of the day,
Down in the meadows of myrrh,
What has she left you to say
Filled with the beauty of her?
Take her the best of your thoughts,
Let them be gentle and grave,
Say, “I have come to thy courts,
Maiden, with all that I have.”
So she may turn with her sweet
Face to your love and to you,
Learning the way to repeat
Words that are brighter than dew.
Charles Harpur
Where Harpur lies, the rainy streams,
And wet hill-heads, and hollows weeping,
Are swift with wind, and white with gleams,
And hoarse with sounds of storms unsleeping.
Fit grave it is for one whose song
Was tuned by tones he caught from torrents,
And filled with mountain-breaths, and strong,
Wild notes of falling forest currents.
So let him sleep, the rugged hymns
And broken lights of woods above him!
And let me sing how Sorrow dims
The eyes of those that used to love him.
As April in the wilted wold
Turns faded eyes on splendours waning,
What time the latter leaves are old,
And ruin strikes the strays remaining;
So we that knew this singer dead,
Whose hands attuned the Harp Australian,
May set the face and bow the head,
And mourn his fate and fortunes alien.
The burden of a perished faith
Went sighing through his speech of sweetness,
With human hints of Time and Death,
And subtle notes of incompleteness.
But when the fiery power of Youth
Had passed away and left him nameless,
Serene as Light, and strong as Truth,
He lived his life, untired and tameless.
And, far and free, this man of men,
With wintry hair and wasted feature,
Had fellowship with gorge and glen,
And learned the loves and runes of Nature.
Strange words of wind, and rhymes of rain,
And whispers from the inland fountains,
Are mingled in his various strain,
With leafy breaths of piny mountains.
But as the under-currents sigh
Beneath the surface of a river,
The music of Humanity
Dwells in his forest-psalms for ever.
No soul was he to sit on heights
And live with rocks apart and scornful:
Delights of men were his delights,
And common troubles made him mournful.
The flying forms of unknown powers
With lofty wonder caught and filled him;
But there were days of gracious hours
When sights and sounds familiar thrilled him.
The pathos worn by wayside things,
The passion found in simple faces,
Struck deeper than the life of springs
Or strength of storms and sea-swept places.
But now he sleeps, the tired bard,
The deepest sleep; and lo! I proffer
These tender leaves of my regard,
With hands that falter as they offer.
God Help Our Men At Sea
The wild night comes like an owl to its lair,
The black clouds follow fast,
And the sun-gleams die, and the lightnings glare,
And the ships go heaving past, past, past —
The ships go heaving past!
Bar the doors, and higher, higher
Pile the faggots on the fire:
Now abroad, by many a light,
Empty seats there are to-night —
Empty seats that none may fill,
For the storm grows louder still:
How it surges and swells through the gorges and dells,
Under the ledges and over the lea,
Where a watery sound goeth moaning around —
God help our men at sea!
Oh! never a tempest blew on the shore
But that some heart did moan
For a darling voice it would hear no more
And a face that had left it lone, lone, lone —
A face that had left it lone!
I am watching by a pane
Darkened with the gusty rain,
Watching, through a mist of tears,
Sad with thoughts of other years,
For a brother I did miss
In a stormy time like this.
Ah! the torrent howls past, like a fiend on the blast,
Under the ledges and over the lea;
And the pent waters gleam, and the wild surges scream —
God help our men at sea!
Ah, Lord! they may grope through the dark to find
Thy hand within the gale;
And cries may rise on the wings of the wind
From mariners weary and pale, pale, pale —
From mariners weary and pale!
’Tis a fearful thing to know,
While the storm-winds loudly blow,
That a man can sometimes come
Too near to his father’s home;
So that he shall kneel and say,
“Lord, I would be far away!”
Ho! the hurricanes roar round a dangerous shore,
Under the ledges and over the lea;
And there twinkles a light on the billows so white —
God help our men at sea!
Coogee
Sing the song of wave-worn Coogee, Coogee in the distance white,
With its jags and points disrupted, gaps and fractures fringed with light;
Haunt of gledes, and restless plovers of the melancholy wail
Ever lending deeper pathos to the melancholy gale.
There, my brothers, down the fissures, chasms deep and wan and wild,
Grows the sea-bloom, one that blushes like a shrinking fair blind child;
And amongst the oozing forelands many a glad, green rock-vine runs,
Getting ease on earthy ledges, sheltered from December suns.
Often, when a gusty morning, rising cold and gray and strange,
Lifts its face from watery spaces, vistas full with cloudy change;
Bearing up a gloomy burden which anon begins to wane,
Fading in the sudden shadow of a dark, determined rain;
Do I seek an eastern window, so to watch the breakers beat
Round the steadfast crags of Coogee, dim with drifts of driving sleet:
Hearing hollow mournful noises sweeping down a solemn shore
While the grim sea-caves are tideless, and the storm strives at their core.
Often when the floating vapours fill the silent autumn leas,
Dreaming memories fall like moonlight over silver sleeping seas,
Youth and I and Love together! — Other times and other themes
Come to me unsung, unwept for, through the faded evening gleams:
Come to me and touch me mutely — I that looked and longed so well,
Shall I look and yet forget them? who may know or who foretell?
Though the southern wind roams, shadowed with its immemorial grief,
Where the frosty wings of Winter leave their whiteness on the leaf.
Friend of mine beyond the waters, here and here these perished days
Haunt me with their sweet dead faces and their old divided ways.
You that helped and you that loved me, take this song, and when you read,
Let the lost things come about you, set your thoughts and hear and heed.
Time has laid his burden on us: we who wear our manhood now,
We would be the boys we have been, free of heart and bright of brow —
Be the boys for just an hour, with the splendour and the speech
Of thy lights and thunders, Coogee, flying up thy gleaming beach.
Heart’s desire and heart’s division! who would come and say to me
With the eyes of far-off friendship, “You are as you used to be”?
Something glad and good has left me here with sickening discontent,
Tired of looking, neither knowing what it was or where it went.
So it is this sight of Coogee, shining in the morning dew,
Sets me stumbling through dim summers once on fire with youth and you.
Summers pale as southern evenings when the year has lost its power,
And the wasted face of April weeps above the withered flower.
Not that seasons bring no solace — not that time lacks light and rest;
But the old things were the dearest and the old loves seem the best.
We that start at songs familiar — we that tremble at a tone,
Floating down the ways of music, like a sigh of sweetness flown,
We can never feel the freshness, never find again the mood
Left among fair-featured places, brightened of our brotherhood;
This and this we have to think of when the night is over all,
And the woods begin to perish, and the rains begin to fall.