A SONG
Oh night and sleep,
Ye are so soft and deep,
I am so weary, come ye soon to me.
Oh hours that creep,
With so much time to weep,
I am so tired, can ye no swifter be?
Come, night, anear;
I'll whisper in thine ear
What makes me so unhappy, full of care;
Dear night, I die
For love that all men buy
With tears, and know not it is dark despair.
Dear night, I pray,
How is it that men say
That love is sweet? It is not sweet to me.
For one boy's sake
A poor girl's heart must break;
So sweet, so true, and yet it could not be!
Oh, I loved well,
Such love as none can tell:
It was so true, it could not make him know:
For he was blind,
All light and all unkind:
Oh, had he known, would he have hurt me so?
Oh night and sleep,
Ye are so soft and deep,
I am so weary, come ye soon to me.
Oh hours that creep,
With so much time to weep,
I am so tired, can ye no swifter be?
WHAT DO POETS WANT WITH GOLD?
What do poets want with gold,
Cringing slaves and cushioned ease;
Are not crusts and garments old
Better for their souls than these?
Gold is but the juggling rod
Of a false usurping god,
Graven long ago in hell
With a sombre stony spell,
Working in the world forever.
Hate is not so strong to sever
Beating human heart from heart.
Soul from soul we shrink and part,
And no longer hail each other
With the ancient name of brother
Give the simple poet gold,
And his song will die of cold.
He must walk with men that reel
On the rugged path, and feel
Every sacred soul that is
Beating very near to his.
Simple, human, careless, free,
As God made him, he must be:
For the sweetest song of bird
Is the hidden tenor heard
In the dusk, at even-flush,
From the forest's inner hush,
Of the simple hermit thrush.
What do poets want with love?
Flowers that shiver out of hand,
And the fervid fruits that prove
Only bitter broken sand?
Poets speak of passion best,
When their dreams are undistressed,
And the sweetest songs are sung,
E'er the inner heart is stung.
Let them dream; 'tis better so;
Ever dream, but never know.
If their spirits once have drained
All that goblet crimson-stained,
Finding what they dreamed divine,
Only earthly sluggish wine,
Sooner will the warm lips pale,
And the flawless voices fail,
Sooner come the drooping wing,
And the afterdays that bring,
No such songs as did the spring.
THE KING'S SABBATH
Once idly in his hall king Olave sat
Pondering, and with his dagger whittled chips;
And one drew near to him with austere lips,
Saying, "To-morrow is Monday," and at that
The king said nothing, but held forth his flat
Broad palm, and bending on his mighty hips,
Took up and mutely laid thereon the slips
Of scattered wood, as on a hearth, and gat
From off the embers near, a burning brand.
Kindling the pile with this, the dreaming Dane
Sat silent with his eyes set and his bland
Proud mouth, tight-woven, smiling, drawn with pain,
Watching the fierce fire flare, and wax, and wane,
Hiss and burn down upon his shrivelled hand.
THE LITTLE HANDMAIDEN
The King's son walks in the garden fair—
Oh, the maiden's heart is merry!
He little knows for his toil and care,
That the bride is gone and the bower is bare.
Put on garments of white, my maidens!
The sun shines bright through the casement high—
Oh, the maiden's heart is merry!
The little handmaid, with a laughing eye,
Looks down on the king's son, strolling by.
Put on garments of white, my maidens!
"He little knows that the bride is gone,
And the Earl knows little as he;
She is fled with her lover afar last night,
And the King's son is left to me."
And back to her chamber with velvety step
The little handmaid did glide,
And a gold key took from her bosom sweet,
And opened the great chests wide.
She bound her hair with a band of blue,
And a garland of lilies sweet;
And put on her delicate silken shoes,
With roses on both her feet.
She clad her body in spotless white,
With a girdle as red as blood.
The glad white raiment her beauty bound,
As the sepels bind the bud:
And round and round her white neck she flung
A necklace of sapphires blue;
On one white finger of either hand
A shining ring she drew.
And down the stairway and out of the door
She glided, as soft and light,
As an airy tuft of a thistle seed
Might glide through the grasses bright.
And into the garden sweet she stole—
The little birds carolled loud—
Her beauty shone as a star might shine
In the rift of a morning cloud.
The King's son walked in the garden fair,
And the little handmaiden came,
Through the midst of a shimmer of roses red,
Like a sunbeam through a flame.
The King's son marvelled, his heart leaped up,
"And art thou my bride?" said he,
"For, North or South, I have never beheld
A lovelier maid than thee."
"And dost thou love me?" the little maid cried,
"A fine King's son, I wis!"
And the King's son took her with both his hands,
And her ruddy lips did kiss.
And the little maid laughed till the beaded tears,
Ran down in a silver rain.
"O foolish King's son!" and she clapped her hands,
Till the gold rings rang again.
"O King's son, foolish and fooled art thou,
For a goodly game is played:
Thy bride is away with her lover last night,
And I am her little handmaid."
And the King's son sware a great oath, said he,—
Oh, the maiden's heart is merry!
"If the Earl's fair daughter a traitress be,
The little handmaid is enough for me."
Put on garments of white, my maidens!
The King's son walks in the garden fair—
Oh, the maiden's heart is merry!
And the little handmaiden walketh there,
But the old Earl pulleth his beard for care.
Put on garments of white, my maidens!
ABU MIDJAN
Underneath a tree at noontide
Abu Midjan sits distressed,
Fetters on his wrists and ancles,
And his chin upon his breast;
For the Emir's guard had taken,
As they passed from line to line,
Reeling in the camp at midnight,
Abu Midjan drunk with wine.
Now he sits and rolls uneasy,
Very fretful, for he hears,
Near at hand, the shout of battle,
And the din of driving spears.
Both his heels in wrath are digging
Trenches in the grassy soil,
And his fingers clutch and loosen,
Dreaming of the Persian spoil.
To the garden, over-weary
Of the sound of hoof and sword,
Came the Emir's gentle lady,
Anxious for her fighting lord.
Very sadly, Abu Midjan,
Hanging down his head for shame,
Spake in words of soft appealing
To the tender-hearted dame:
"Lady, while the doubtful battle
Ebbs and flows upon the plains,
Here in sorrow, meek and idle,
Abu Midjan sits in chains.
"Surely Saad would be safer
For the strength of even me;
Give me then his armour, Lady,
And his horse, and set me free.
"When the day of fight is over,
With the spoil that he may earn,
To his chains, if he is living,
Abu Midjan will return."
She, in wonder and compassion,
Had not heart to say him nay;
So, with Saad's horse and armour,
Abu Midjan rode away.
Happy from the fight at even,
Saad told his wife at meat,
How the army had been succoured
In the fiercest battle-heat,
By a stranger horseman, coming
When their hands were most in need,
And he bore the arms of Saad,
And was mounted on his steed;
How the faithful battled forward,
Mighty where the stranger trod,
Till they deemed him more than mortal,
And an angel sent from God.
Then the lady told her master
How she gave the horse and mail
To the drunkard, and had taken
Abu Midjan's word for bail.
To the garden went the Emir,
Running to the tree, and found
Torn with many wounds and bleeding,
Abu Midjan meek and bound.
And the Emir loosed him, saying,
As he gave his hand for sign,
"Never more shall Saad's fetters
Chafe thee for a draught of wine."
Three times to the ground in silence
Abu Midjan bent his head;
Then with glowing eyes uplifted,
To the Emir spake and said:
"While an earthly lord controlled me,
All things for the wine I bore;
Now, since God alone shall judge me,
Abu Midjan drinks no more."
THE WEAVER
All day, all day, round the clacking net
The weaver's fingers fly:
Gray dreams like frozen mists are set
In the hush of the weaver's eye;
A voice from the dusk is calling yet,
"Oh, come away, or we die!"
Without is a horror of hosts that fight,
That rest not, and cease not to kill,
The thunder of feet and the cry of flight,
A slaughter weird and shrill;
Gray dreams are set in the weaver's sight,
The weaver is weaving still.
"Come away, dear soul, come away, or we die;
Hear'st thou the moan and the rush! Come away;
The people are slain at the gates, and they fly;
The kind God hath left them this day;
The battle-axe cleaves, and the foemen cry,
And the red swords swing and slay."
"Nay, wife, what boots it to fly from pain,
When pain is wherever we fly?
And death is a sweeter thing than a chain:
'Tis sweeter to sleep than to cry.
The kind God giveth the days that wane;
If the kind God hath said it, I die."
And the weaver wove, and the good wife fled,
And the city was made a tomb,
And a flame that shook from the rocks overhead
Shone into that silent room,
And touched like a wide red kiss on the dead
Brown weaver slain by his loom.
Yet I think that in some dim shadowy land,
Where no suns rise or set,
Where the ghost of a whilom loom doth stand
Round the dusk of its silken net,
Forever flyeth his shadowy hand,
And the weaver is weaving yet.